|  | Costello, Diarmuid / Iversen, Margaret (Hrsg.)
Photography After Conceptual Art
Art History Special Issues
 1. Auflage Oktober 2010
25,90 Euro
2010. 208 Seiten, Softcover
ISBN 978-1-4443-3360-2 - John Wiley & Sons
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| Kurzbeschreibung
Photography After Conceptual Art presents a series of original essays that address substantive theoretical, historical, and aesthetic issues raised by post-1960s photography as a mainstream artistic medium. It explores the relation between recent art, theory and aesthetics, for which photography serves as an important test case.Includes a number of the essays with previously unpublished photographs and discussions of Ed Ruscha, Bernd and Hilla Becher, Douglas Huebler, Mel Bochner, Sherrie Levine, Roni Horn, Thomas Demand, and Jeff Wall.
Aus dem Inhalt
1. Introduction: Photography After Conceptual Art (Diarmuid Costello, University of Warwick and Margaret Iversen, University of Essex).
2. Auto-Maticity: Ruscha and Performative Photography (Margaret Iversen, University of Essex).
3. Ed Ruscha, Heidegger, and Deadpan Photography (Aron Vinegar, Ohio State University).
4. Subject, Object, Mimesis: The Aesthetic World of The Bechers' Photography (Sarah E. James, University of Oxford).
5. Exit Ghost: Douglas Huebler's Face Value (Gordon Hughes, Rice University).
6. Productive Misunderstandings: Interpreting Mel Bochner's Theory of Photography (Luke Skrebowski, Middlesex University).
7. Roni Horn's Icelandic Encyclopedia (Mark Godfrey, Tate Modern).
8. Thomas Demand, Jeff Wall And Sherrie Levine: Deforming 'Pictures' (Tamara Trodd, University of Cambridge).
9. Almost Merovingian: On Jeff Wall's Relation to Nearly Everything (Wolfgang Brückle, University of Essex).
10. Morning Cleaning: Jeff Wall and The Large Glass (Christine Conley, University of Ottawa).
Index.
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