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Misek, Richard
Chromatic Cinema
A History of Screen Color

1. Auflage April 2010
109,- Euro
2010. 240 Seiten, Hardcover
ISBN 978-1-4443-3239-1 - John Wiley & Sons

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Langtext
Chromatic Cinema provides the first wide-ranging historical overview of screen color, exploring the changing uses and meanings of color in moving images, from hand painting in early skirt dance films to current trends in digital color manipulation.
* Offers both a history and a theory of screen color in the first full-length study ever published
* Provides an in-depth yet accessible account of color's spread through and ultimate effacement of black-and-white cinema, exploring the technological, cultural, economic, and artistic factors that have defined this evolving symbiosis
* Engages with film studies, art history, visual culture and technology studies in a truly interdisciplinary manner
* Includes 65 full-color illustrations of films ranging from Expressionist animation to Hollywood and Bollywood musicals, from the US 'indie' boom to1980s neo-noir, Hong Kong cinema, and recent comic-book films

Aus dem Inhalt
List of Plates.

Acknowledgments.

Introduction.

1. Film Color.

Coloration in Early Cinema, 1895-1927.

The Rise of Technicolor, 1915-35.

Chromatic Cold War: Black-and-White and Color in Opposition.

"Technicolor Is Natural Color": Color and Realism, 1935-58.

Chromatic Thaw: Hollywood's Transition to Color, 1950-67.

2. Surface Color.

Color in European Film, 1936-67.

Chromatic Ambivalence: Art Cinema's Transition to Color.

"Painting with Light": Cinema's Imaginary Art History.

Unmotivated Chromatic Hybridity.

Monochrome Purgatory: Absent Color in the Soviet Bloc, 1966-75.

3. Absent Color.

Black-and-White as Technological Relic, 1965-83.

Black-and-White Flashbacks: Codifying Temporal Rebirth.

Black-and-White Films, 1967-2007.

Nostalgia and Pastiche.

4. Optical Color.

Cinema's Newtonian Optics.

White Light: Hollywood's Invisible Ideology.

Darkness Visible: From Natural Light to "Neo-Noir", 1968-83.

Cinematography and Color Filtration, 1977-97.

Case Study: Seeing Red in Psycho.

5. Digital Color.

Crossing the Chromatic Wall in Wings of Desire.

An Archaeology of Digital Intermediate, 1989-2000.

Digital Color Aesthetics, 2000-9.

Conclusion: Painting by Numbers?

Notes.

Bibliography.

Index.

 




 

        

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