The Philosophy of Film
Introductory Text and Readings
1. Edition December 2004
320 Pages, Hardcover
Wiley & Sons Ltd
Organized around a series of philosophic questions about film, The Philosophy of Film: Introductory Text and Readings offers an accessible and engaging overview of the discipline.
* * Provides thorough selection of readings drawn from philosophy, film studies, and film criticism
* * Multiple points of view highlighted in discussion of film theory, narration, authorship, film and emotion, and the social values of cinema
* * Presents thought-provoking reading questions as well as clear and helpful introductions for each section
More information about this text along with further resources are available from the accompanying website at: http://www.mtholyoke.edu/omc/phil-film/index.html
Part I: Do We Need Film Theory?.
Part II: What Is the Nature of Film?.
Part III: Do Films Have Authors?.
Part IV: How Do Films Engage Our Emotions?.
Part V: Must Films Have Narrators?.
Part VI: Can Films Be Socially Critical?.
Part VII: What Can We Learn From Films?.
Index
anthology. Uniting key works in film theory, criticism, and
philosophy, this much-needed text has excellent sections on core
topics." Deborah Knight, Queen's University at
Kingston
"The Philosophy of Film presents a judicious
selection of influential writings on the philosophy of film from
across the spectrum of current opinion, though weighted toward the
increasingly dominant cognitivist paradigm of film experience. The
introductory and pedagogic material provided by the editors is
uniformly helpful."
Jerrold Levinson, University of Maryland, and Past President,
American Society for Aesthetics
"Bringing together important writings by prominent
philosophers and film theorists, this volume of readings with
useful editorial commentary will prove a valuable resource for
students of the philosophy of film." Berys Gaut,
University of St Andrews
Angela Curran teaches philosophy at Franklin and Marshall College in Pennsylvania. Her primary areas of research are ancient Greek philosophy, aesthetics, and philosophy of film. Her work in philosophy of film includes an essay on tragedy and film horror for Dark Thoughts: Philosophical Reflections on Cinematic Horror (2003).