The Field of Cultural Production
Essays on Art and Literature

1. Auflage Januar 1993
336 Seiten, Softcover
Wiley & Sons Ltd
The Field of Cultural Production brings together Bourdieu's
most important writings on art, literature and aesthetics. Bourdieu
develops a highly original approach to the study of literary and
artistic works, addressing many of the key issues that have
preoccupied literary, art and cultural criticism in the late
twentieth century: aesthetic value and judgement, the social
contexts of cultural practice, the role of intellectuals and
artists, and the structures of literary and artistic authority.
Bourdieu elaborates a theory of the cultural field which
situates artistic works within the social conditions of their
production, circulation and consumption. He examines the
individuals in institutions involved in making products: not only
the writers and artists, but also the publishers, critics, dealers,
galleries and academies. He analyses the structure of the cultural
field itself, as well as its position within the broader social
structures of power.
The essays gathered together in this volume examine a variety of
substantive topics, including Flaubert's point of view, Manet's
aesthetic revolution, the historical creation of the pure gaze, and
the relationship between art and power. The Field of Cultural
Production will be of interest to students and scholars from a
wide range of disciplines: sociology and social theory, literature,
art and cultural studies.
Editor's Introduction: Pierre Bourdieu on Art, Literature and
Culture.
Part I: The Field of Cultural Production.
1. The Field of Cultural Production, or: The Economic World
Reversed.
2. The Production of Belief: Contribution to an Economy of
Symbolic Goods.
3. The Market of Symbolic Goods.
Part II: Flaubert and the French Literary Field.
4. Is the Structure of Sentimental Education an Instance of
Social Self-analysis?.
5. Field of Power, Literary Field and Habitus.
6. Principles for a Sociology of Cultural Works.
7. Flaubert's Point of View.
Part III: The Pure Gaze: Essays on Art.
8. Outline of a Sociological Theory of Art Perception.
9. Manet and the Instutitionalization of Anomie.
10. The Historical Genesis of a Pure Aesthetic.
Notes.
Selected Bibliography.
Index.