The European Avant-garde
1900-1940
Cultural History of Literature
1. Auflage Juli 2004
272 Seiten, Hardcover
Wiley & Sons Ltd
This book offers an informative and accessible cultural history of
the European avant-garde in its early twentieth-century heyday. It
provides comparative coverage of cultural experimentation across
the major European languages, including English, French, German,
Russian, Spanish and Italian.
Andrew Webber presents striking examples to illustrate a time of
unprecedented experiment and energetic performance in all aspects
of culture. Readings of some of the most important and
characteristic avant-garde texts, pictures and films are set
against some of the key developments of the period: advances in
technology and psychology; the rise of radical politics; the
cultural ferment of the modern metropolis; and the upheaval in
issues of gender and sexuality. The author's mediation
between a variety of cultural forms, combining political and
psychoanalytical modes of understanding, evokes the richness of the
age in a manner that students will find both illuminating and
provocative.
This volume will be an excellent textbook for courses on the
avant-garde in departments of comparative cultural studies,
literature and film studies.
Preface.
1. Introduction: The Historical Avant-garde and Cultural
History.
2. Manifestations: The Public Sphere.
3. Writing the City: Urban Technology and Poetic Technique.
4. Modes of Performance: Film-Theatre.
5. Case Histories: Narratives of the Avant-garde.
Conclusion: Allegories of the Avant-garde.
Epilogue: After the Avant-garde?.
Notes.
Index.
Avant-Garde": the section title, teasing Magritte's
pipe, says it perfectly. Like the famous painting, this book
is more, namely a beautiful blend of history and analysis,
criticism and theory, in my favorite phrase: cultural analysis. If,
after reading it, it is as if one sees avant-garde all around, in
contemporary culture, this is because Andrew Webber has made sense
of the past in terms that reflect the urgency posed by the present.
Tightly argued yet generously clear, abundantly illustrated with
close readings of specific works yet proposing an unambiguously
innovative reading of the early avant-garde as a state of culture
as a whole, this book will make you wish you had been among the
first to see those trenchant texts and images that shocked the
world. Learning about the avant-garde, the reader also learns
"how to": how to read and understand, how to analyse,
how to frame those texts that are so notoriously hard to
grasp.'
Mieke Bal, University of Amsterdam
'Andrew J. Webber's superb new book looks at the
constitution of the avant-garde in early twentieth-century European
thought. Ranging from architecture and urban space to theatre and
film, Webber's take on the avant-garde throws new light on its
contradictions and complexities. This is a book for all humanists
interested in the formation of twentieth-century sensibilities
across the entire spectrum of modern cultural life.'Sander
L. Gilman, University of Illinois at Chicago
