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John Wiley & Sons Modern Art in Africa, Asia and Latin America Cover Shedding fresh light on modern art beyond the West, this text introduces readers to artists, art mov.. Product #: 978-1-4443-3229-2 Regular price: $91.50 $91.50 In Stock

Modern Art in Africa, Asia and Latin America

An Introduction to Global Modernisms

O'Brien, Elaine / Nicodemus, Everlyn / Chiu, Melissa / Genocchio, Benjamin / Coffey, Mary K. / Tejada, Roberto (Editor)

Cover

1. Edition September 2012
458 Pages, Hardcover
Wiley & Sons Ltd

ISBN: 978-1-4443-3229-2
John Wiley & Sons

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Shedding fresh light on modern art beyond the West, this text
introduces readers to artists, art movements, debates and
theoretical positions of the modern era that continue to shape
contemporary art worldwide. Area histories of modern art are
repositioned and interconnected towards a global art
historiography.



* Provides a much-needed corrective to the Eurocentric
historiography of modern art, offering a more worldly and expanded
view than any existing modern art survey

* Brings together a selection of major essays and historical
documents from a wide range of sources

* Section introductions, critical essays, and documents provide
the relevant contextual and historiographical material, link the
selections together, and guide the reader through the key
theoretical positions and debates

* Offers a useful tool for students and scholars with little or
no prior knowledge of non-Western modernisms

* Includes many contrasting voices in its documents and essays,
encouraging reader response and lively classroom discussion

* Includes a selection of major essays and historical documents
addressing not only painting and sculpture but photography, film
and architecture as well.

"This is a much-needed volume offering a truly global
perspective on modernism, a comparative investigation of
transcultural interchanges, and a revision of current notions of
peripheral modernities."

- Günter Berghaus, University of Bristol

"The scholarship assembled in this volume presents a
welcome and long-overdue challenge to Eurocentric histories of
modernism. Charting the development of the first truly global art
practices, it opens up a critical space for further research on
geographies too often neglected by Western academia."

- Jean Fisher, PhD, Professor Emeritus, Middlesex
University

"Modern Art in Africa, Asia, and Latin America remaps
modern art from a global perspective. Its groundbreaking analysis
engages the multiple locations and transcultural histories of
modern art through critical texts that chart its development in
African, Asian, and Latin American contexts. The resulting
anthology defeats once and for all the usual narrative of modern
art as a strictly Western European phenomenon."

- Sylvester Okwunodu Ogbechie, University of California Santa
Barbara

"This ambitious, wide-ranging volume aims to challenge and
correct misconceptions about non-western art that it has little to
contribute to global modernism. Balanced by a judicious mixture of
original sources and deeply researched, theoretically acute
chapters written by internationally respected authorities, the
volume will be an indispensable tool for students, scholars and all
those interested in a more critical history of global
modernism."

- Partha Mitter, University of Sussex
Elaine O'Brien is a Professor of Modern &
Contemporary Art at California State University, Sacramento.

Everlyn Nicodemus is an artist and writer living and
working in Edinburgh, UK, and holds a Ph.D. from Middlesex
University, London.

Melissa Chiu is Museum Director and Vice President,
Global Art Programs, Asia Society in New York.

Benjamin Genocchio is editor in chief of Art &
Auction Magazine, New York. He holds a Ph.D. in art
history and is the author and editor of six books.

Mary K. Coffey is Associate Professor of Art History at
Dartmouth College.

Roberto Tejada is Distinguished Chair and Professor of
Art History, Southern Methodist University.

E. O'Brien, California State University at Sacramento, USA; E. Nicodemus, Middlesex University, London, UK; M. Chiu, Asia Society Museum, USA; B. Genocchio, Art and Auction Magazine, New York, USA; M. K. Coffey, Dartmouth College, USA; R. Tejada, Southern Methodist University, USA