Documentary in Practice
Filmmakers and Production Choices
1. Edition December 2006
184 Pages, Hardcover
Wiley & Sons Ltd
Documentary in Practice provides a unique approach to
practical documentary-making. Through fascinating analysis of
real-life production situations, Jane Chapman shows the challenges
and issues faced during the filmmaking process by a range of both
well-known and up-and-coming documentary-makers. She also brings
her own personal experience as a seasoned documentary producer and
teacher to advise on how students can gain invaluable insight from
these projects.
Throughout this compelling text, a variety of producers past and
present provide their inside project stories and production
records, including scripts, fundraising proposals, budgets,
diagrams, post-production records and reviews. Across continents,
every project and its makers are different whether they are famous
names from the canon', television freelances, art-house directors,
documentary-maker activists or first-time filmmakers but they all
face a range of challenges:
* * how to connect visual approach to content idea
* morality of camera presence
* complaints and ethical challenges
* legal issues and censorship
* budgetary factors influencing choices
* conflict with commissioning editors
All students of media studies as well as aspiring
documentary-makers will find this book a refreshing introduction to
the choices available for filmmaking and the issues that may emerge
during the process.
Acknowledgements.
List of Illustrations.
Preface.
1. Thinking Creatively.
2. Fundraising and Budgeting.
3. Researching and Planning.
4. Shooting and Collecting.
5. Shaping and Editing.
6. Obtaining Public Reaction.
References.
Index.
reflecting on their practical choices, together with insightful
commentary from the author, shows how critical thinking is
foundational to the film-making practice."
European Journal of Communication
"Jane Chapman manages to mix creative enthusiasm and practical
advice in equal measure. This engaging book, informed by her
experience in television, is a major contribution to teaching
documentary production. Its thoughtful commentary and sequence of
illuminating case-studies will also be of value to a broader
understanding of this area of work and its critical
appreciation."
John Corner, University of Liverpool