Ch'ixinakax utxiwa
On Decolonising Practices and Discourses
Critical South
1. Edition July 2020
80 Pages, Softcover
Wiley & Sons Ltd
Short Description
The Bolivian scholar and activist Silvia Rivera Cusicanqui is a pre-eminent Latin American intellectual, world renowned for her work in postcolonial and subaltern studies. She has long maintained that we must acknowledge how colonial structures of domination continue to affect indigenous identities and cultures. Even in contexts where diversity and the value of indigenous cultures have been officially recognized, "internal colonialism" operates as a structure that shapes mental categories and social practices.
This book considers this persistent colonial structure by examining artistic and popular practices of apprehending and resisting it, arguing that in Andean cultures there is a sustained practice of insubordinate image production and use. Combining this visual history with other instances of political resistance, the book offers an alternative narrative to the history of Latin American decolonisation. This narrative challenges the common conception that mestizaje (race-mixing) and hybridity are liberatory formations, offering instead a new theorisation of the complex racial configurations produced by colonialism and its afterlives.
Given Rivera Cusicanqui's vital contribution to critical epistemologies, this book will be of great interest to students and scholars throughout the humanities and social sciences and to everyone concerned with the key questions of critical theory today.
The Bolivian scholar and activist Silvia Rivera Cusicanqui is a pre-eminent Latin American intellectual, world renowned for her work in postcolonial and subaltern studies. She has long maintained that we must acknowledge how colonial structures of domination continue to affect indigenous identities and cultures. Even in contexts where diversity and the value of indigenous cultures have been officially recognized, "internal colonialism" operates as a structure that shapes mental categories and social practices.
This book considers this persistent colonial structure by examining artistic and popular practices of apprehending and resisting it, arguing that in Andean cultures there is a sustained practice of insubordinate image production and use. Combining this visual history with other instances of political resistance, the book offers an alternative narrative to the history of Latin American decolonisation. This narrative challenges the common conception that mestizaje (race-mixing) and hybridity are liberatory formations, offering instead a new theorisation of the complex racial configurations produced by colonialism and its afterlives.
Given Rivera Cusicanqui's vital contribution to critical epistemologies, this book will be of great interest to students and scholars throughout the humanities and social sciences and to everyone concerned with the key questions of critical theory today.
1 Another Bicentennial
2 Sociology of the Image: A View from Colonial Andean History
3 Ch'ixinakax utxiwa: A Reflection on the Practices and Discourses of Decolonization
Bibliography
"By adopting the ch'ixi identity, Silvia Rivera Cusicanqui opens up possibilities in the inside/outside dichotomy for those who investigate, act, struggle and think, because she problematizes and dismantles this dichotomy. This is a necessary book."
Professor María C. Lugones, Binghamton University